More Charleston, S.C. Cemetery Hopping: Stopping By First Scots Presbyterian Churchyard, Part II

Last week, I shared a brief history of Charleston’s First Scots Presbyterian Church and its churchyard. I also told some of the stories behind the stones there, with a few carved by Scotsman Thomas Walker. He was a member of First Scots, as were many Scottish newcomers to Charleston. In Part II, we’ll take a look at some more markers along with a little history.

Although these next two markers are not exactly the same, both feature a “grieving widow” motif. Little is known about William Hunter beyond what’s on his stone. I found no death notice in the newspapers.

The mourning woman at the top of William Hunter’s stone is a theme repeated on other grave markers through the 1800s.

A native of the county of Antrim in Ireland,
who died on the 18th of September, 1805
aged 58 years
the last seventeen of which were passed in this city.
He was respected and beloved for his solicitude as a relative and friend
his probity as a man and (above all)
his philanthropy and benevolence to the stranger and the distressed.

Urn as a Greek Symbol

Take a close look at the top image on William’s stone. A mourning woman (perhaps a widow) leans over an urn positioned on top of what may be a vault. I featured the urn last week in some of Thomas Walker’s markers but on those it was the main icon, not playing a supporting role as it is here.

The urn was a Greek symbol of mourning.

The urn is a Greek symbol of mourning, originating as a repository for the ashes of the dead in ancient times. It was a popular symbol of mourning, which is why you see it on so many markers or in draped form atop large monuments.

This is a departure from what we saw in the 1700s, when skeletons, winged skulls, and soul effigies were the norm. A shift in focus was taking place from trying to convince those visiting the grave to live a good life or suffer the flames of hell to a softer message of consolation to the mourner. The emotion of sadness and memory of a life well lived is stronger than fear of the afterlife.

Now let’s take a look at a similar but different marker for Alexander Kennedy, which was signed as being carved by Thomas Walker’s studio (although it wasn’t necessarily done by Thomas himself).

Andrew Kennedy’s marker differs from William Hunter’s in that there’s draping around the top scene.

So who was Andrew Kennedy? According to his marker, he was a native of Scotland who died at his plantation in St. John’s Berkley Parish on Sept. 18, 1802. He was around 40 years old. As one of the 10 original parishes created by the Church Act of 1706, the parish of St. John’s Berkeley stretched northwestward from the upper reaches of the Cooper River to the Santee River through modern Berkeley and Orangeburg Counties.

If you look on a map today, this area is located near modern day Moncks Corner, S.C. about 35 miles north of Charleston. It came to be associated closely with rice plantations, one of which was probably owned by Andrew Kennedy. The 1800 Census indicates he did live there and he was married, supported by the words on his marker that say “erected in his memory by his disconsolate widow.”

“His Disconsolate Widow”

Those last words are echoed in the motif at the top of Andrew’s marker, which features a mourning figure next to what appears to be an urn sitting on an obelisk. This figure is not bending over it as in William Hunter’s, but she does appear to be “disconsolate”, her hand pressed against her cheek with her other hand on top of the urn.

The mourning figure on the Kennedy marker is also standing next to an urn, but this time placed on the base of an obelisk.

To the figure’s left is a pitcher sitting amid some of the draping of her garment. You can also faintly make out the initial “K” on the base of the obelisk the urn rests on. To the right of the obelisk appears to be a flower that’s been snapped in two, indicating a life cut short. Add to that some elaborate drapery that surrounds this scene, showing off more of the carver’s talents.

When I look at these two mourning scenes side by side, I conclude that Andrew Kennedy most likely had a higher placement on the social ladder than William Hunter. The extra touches like the drapery and initialed obelisk lead me to believe this.

The Douglas Sisters

This next marker is for two sisters, Sarah and Catharine Douglas. The inscription is as follows:

This stone is erected by the
afflicted parents of
and her sister
the former who died
July 24th, 1806 & the latter
June 21st, 1807,
Aged 3 years 9 months
17 days.

Sisters Sarah and Catherine Douglas died within about a year of each other.

It appears that Sarah, the first child, died on the day she was born on July 24, 1806. Older sister Catharine was three years old (and nine months) when she died on June 21, 1807. We don’t know who their parents were but it was surely a blow to lose two children within about a year of each other.

Two Lives Cut Short

Let’s take a closer look at the top. Instead of a grieving widow, we’ve got an angel with full hands. In one he’s holding a trumpet to his lips. The other is holding a scythe and has cut down a flower, signifying a life cut short. We saw that motif earlier on the Kennedy marker, leading me to believe it might be another Walker studio creation. Regardless, it’s a striking image.

Similar to the Kennedy marker, the Douglas marker features a flower cut down.

This last marker has no decoration on it. Fairly straightforward, it shares the information about Charleston native Dr. Peter Fayssoux (1745-1795) and his second wife, Ann (1758-1810). But Dr. Fayssoux had quite a career in and it’s worth mentioning.

Born in Charleston around 1745, Dr. Peter Fayssoux was the son of Huguenot emigre Daniel Fayssoux and his wife, Frances.

The son of Huguenot émigré Daniel Fayssoux and his wife, Frances, Peter Fayssoux attended medical school in Scotland. Upon returning to South Carolina in 1769, he was dismayed by the number of “quacks” practicing medicine. “It is Sufficient for a man to call himself a Doctor, & he immediately becomes one, & finds fools to employ him,” he complained to medical school chum Benjamin Rush, who was a signer of the Declaration of Independence.

Treating the Sick and Wounded

On Jan. 29, 1772, Fayssoux married Sarah “Sally” Wilson, who died in 1776. The following year, on March 29, 1777, Dr. Fayssoux married Ann Smith Johnston. The marriages produced 13 children, six of whom died in infancy or early childhood.

Early in the Revolutionary War, Dr. Fayssoux attended the sick on James Island. By 1778, he was serving as senior physician of the South Carolina branch of the Continental army.

The Dr. Peter Fayssoux House is a pre-Revolutionary War house built about 1732 for Alexander Smith. After the war, the Georgian house was home to Dr. Fayssoux and his family. (Photo source: Spencer Means, Flickr)

In 1780, Dr. Fayssoux was named physician and surgeon general of the Southern Department. Captured at the fall of Charleston, he was released to attend to the sick and wounded. At the end of the war, Dr. Fayssoux was treating patients in Camden, S.C. where he stayed until March 1782. After the war, Fayssoux became a member of the Faculty of Physic in Charleston, the first sign of organized medicine in the state.

In 1786, Dr. Fayssoux was elected to the General Assembly, where he represented St. John’s Berkeley Parish until 1790. He was a founding member and the first president of the Medical Society of South Carolina, which held its first meeting at Fayssoux’s home on Dec. 24, 1789. Dr. Fayssoux was also involved with the Charleston Library Society, the Charleston Museum (as a curator), the Society of the Cincinnati, and the St. Cecilia Society.

He died on Feb, 1, 1795, of an apoplectic stroke at the age of 50. Wife Ann died in 1810 at age 52.

I’m not quite done at First Scots Presbyterian Churchyard. Please come back for Part III for more stories from the stones.

More Charleston, S.C. Cemetery Hopping: Stopping By First Scots Presbyterian Churchyard, Part I

Were you hoping I was done hopping in Charleston, S.C.?

When you’ve got sights like the one pictured below, it’s just too hard to leave without talking about as many burial grounds you can. And this churchyard has a playground in it. More about that later.

Part of the Churchyard at First Scots Presbyterian Church.

After leaving St. Michael’s Churchyard, we headed down Meeting Street a short block to First Scots Presbyterian Churchyard. Find a Grave has about 800 burials recorded. The congregation was established in 1731 when a dozen Scottish residents left the Independent Church of Charleston, now the Circular Congregational Church (yes, I’m writing about that one soon). In its early days, it was known as Scots’ Kirk.

Built in 1814, the current building is considered the fifth oldest church building in Charleston.

A plaque on the gate shares the historic dates involved with First Scots Presbyterian Church.

Scottish brothers John and James Gordon built First Scots’ current building. The design is thought to be inspired by Baltimore Basilica in Baltimore, Md. and contains a number of Scottish symbols in the stained glass windows and a symbol of Scotland, the thistle, on the wrought iron grilles. This building replaced an earlier wooden church.

A front view of the First Scots Presbyterian Church. (Photo Source: Wikipedia Commons)

The Story of the Bells

Although First Scots has two bell towers, the original bells were donated to the military during the Civil War. It’s said that the bells were never replaced to honor the Confederate dead.

In 1999, a bell built in 1814 was reinstalled in the northern tower. St. Johns Church in Preston, Lancashire, England, had eight bells in its own historic church, but no longer needed them when a replacement set was acquired. First Scots made plans to bring the seven working bells to Charleston and hang them in their towers.

However, the southern tower was found to be too weakened from the 1886 Charleston earthquake to support the six smaller bells. As a result, the largest of the bells from St. Johns was hung in the northern tower. That 1,470-lb. bell was funded in large part by congregant Bonnie Workman, so the bell is named “Bonnie” in her honor.

Playing on Graves?

So I mentioned a playground earlier. There are four different sections to the First Scots Churchyard. The main churchyard encompasses the sanctuary. Near the rear of the sanctuary where a parking lot is located, there’s an area of stones along a side wall. There’s a back burial yard surrounded by a similar wall of stones. Then there’s a small yard surrounded by a high brick wall covered in stones. In the middle of it? A playground.

Grave markers line the high brick walls of this playground at First Scots Presbyterian Churchyard.

So how did that happen? My guess it that with the blessing of the congregation, the markers were pulled up and put on the surrounding walls. I could find nothing online to indicate when this happened. I’m not sure how I feel about it because the thought of children romping on graves is a bit disconcerting. However, this was a decision made by the congregation and they must have felt it was the right thing to do to provide a place to play for their younger congregants.

Back to the rest of the churchyard. One of the most interesting markers Frank pointed out to me was done by one of Charleston’s best known carvers for his very own family, Thomas Walker. It definitely stands out.

Five members of stone carver Thomas Walker’s family are listed on this stone he himself carved. Three are named Jane.

The scene on this marker is unlike any I’ve seen before. No winged skulls, no cherubs, no flowers. It’s basically a stone carver’s workshop. In the middle is an oval coat of arms that contains a compass and three brick towers, which bears a strong likeness to the Mason’s Company of Edinburgh. Walker was likely a member, having left Scotland for Charleston around 1790.

Grave Marker as Advertising

In their book, Historic Gravestone Art of Charleston, South Carolina, 1695-1802, David Mould and Missy Loewe interviewed art historian Diana Combs about this marker. She commented that the stone serves as a combination history of his family members with an advertisement for his business. The variety of implements that stone carvers of that era would have used are apparent.

Walker, who was a member of First Scots, has a number of his markers in the Churchyard that are worth pointing out. He liked urns and you can see examples of them here and there.

“The Son Most Dear”

This one features a smaller urn for Thomas Turnbull, who died on Oct. 13, 1795 at the age of 25.

Thomas Turnbull’s marker is thought to have been carved by Thomas Walker.

Thomas also favored grander urns like this one for John Cunningham, who died in 1799 around the age of 23. I apologize for the small size but it came from a larger photo I took that day.

John Cunningham’s marker features a wide elaborate urn with draping on each side.

I’m reaching a little further back in time with this next marker to the 1760s. Mould and Loewe point out that John Rattray’s marker might be a British import because it doesn’t look like what we usually see in terms of New England’s style and the upper crust Charleston markers. Decorated above it with a scallop flanked by flowers is a chubby-faced cherub surrounded by feathers under his chin. Wings, trumpets and palm fronds are also featured.

What do these items signify? The scallop and flowers often symbolize rebirth while palm branches are associated with spiritual victory. The trumpets symbolize Judgement Day. All in all, there’s a lot going on here but it works wonderfully well.

John Rattray’s marker stands out for several reasons.

So who was John Rattray? He was born around 1716 and eventually became an attorney, practicing in Charleston. In addition to his law practice, he had two plantations and owned 60 slaves. He represented the St. Helena Parish in the 21st (1754-1757) and the 22nd (1757-1760) Royal Assemblies and the Prince William Parish in the 24th Royal Assembly (1761).

On November 14, 1760 Rattray was appointed Judge of the Vice Admiralty Court, a post he held until his death on Sept. 30, 1761. Other offices he filled were Firemaster for Charleston (1755-1758, 1759-1761), commissioner to regulate trade with the Creek Indians (1755), commissioner of Fortifications for Charleston (1755-1761), and justice of the peace for Berkeley County (1756).

Much less is known about Frances Hunter, wife of James Hunter, who died at the age of 48 on Dec. 9, 1768. But because her marker is from the same decade as John Rattray’s, I thought I would include it.

Frances Hunter’s stone features the more familiar style of soul effigy that we see in Charleston cemeteries.

Next to Frances’ stone is a small one for her son, John, who died in 1775. His age is not included.

To close out today’s eclectic collection, I’m featuring the stunning grave marker of Capt. James Ross and it’s not just because I love the skill that went into it. From the mid-1800s, it has a more modern style to it that the 18th-century soul effigy markers had.

If you look on the base, you can see the name “W.T. White” on it. This was William T. White, the great-grandson of Thomas Walker. The tradition was indeed being carried on.

One reason I’m drawn to this marker is the fact that unlike a number of ship-adorned markers I’ve seen in cemeteries and graveyards, Capt. Ross not only lived a long life, he didn’t die in a shipwreck or perish in a storm. Believe me, I’ve seen my share of those. I don’t doubt that Capt. Ross faced a lot of dicey moments in his seafaring career. But he survived it all and ended his career on a high note.

Although Capt. Ross’ marker had to be repaired at some point, even his footstone has survived.

James Ross was born sometime around the late 1770s or early 1780s in Lerwick in Britain’s Shetland Islands, which is about as far north as you can get and still be the U.K. I don’t know when he arrived in Charleston but his grave marker indicates that “for upwards of 30 years he commanded vessels out of this port.”

The carver of this stone, William T. White, was the great-grandson of Scottish carver Thomas Walker.

“An Honest, Upright, and Noble-Hearted Man”

Having proven his salt (pardon the pun) as a mariner, Capt. Ross became a member of the Board of Port Wardens around 1840 and eventually became chairman. He died on Oct. 8, 1856 of “congestion of the brain” according to death records. His marker notes that he was 70 years old but his death records has him as 75.

I found in a Charleston newspaper a trio of death announcements for him that outlines not only his membership in the Charleston Marine Society but also the Independent Order of Odd Fellows (IOOF).

This triad funeral notice in the the Charleston Daily Courier, for Capt. James Ross reflects his active role in the Charleston community over his lifetime.

There’s plenty more to see at First Scots Presbyterian Churchyard, so be sure to come back for Part II.



More Charleston, S.C. Cemetery Hopping: Discovering St. Michael’s Churchyard, Part II

I’m still at St. Michael’s Churchyard in Charleston, S.C. with just a few more graves I wanted to share. This first one is the only one of its kind that I’ve ever seen. I’d never even heard of wooden headboard grave markers until Frank Karpiel showed me the one at St. Michael’s.

Before I get started, you should know that what exists now at St. Michael’s is a replica. The original headboard managed to survive hurricanes, an earthquake, and several fires until it was removed in 2005 to keep it preserved. You can see it up close at the Charleston Museum.

This wooden headboard is a replica of the one that William Luyten made for his bride, Mary Ann.

The story behind this headboard has been printed in various newspapers over the years with some variations. It was even featured by Ripley’s Believe it Or Not! in some editions because it survived so many years.

Young Mary Ann was 18 when she became engaged to a young Charleston cabinet maker from England named William Luyten. But only three days before the wedding, she was thrown from her horse and became paralyzed.

Love Conquers All

Mary Ann wanted to release William from of their engagement. But William “insisted that they be married, though there was no possibility that his bride would ever be able to rise from her bed.” He built her a wooden bedframe where she is said to have laid the entirety of their nine-year marriage. One version of the story even said she lost all of her beauty and her hair turned white.

Before her death at the age of 27 on Sept. 9, 1770, nine years later, Mary Ann asked that the bedframe be used to mark her grave at St. Michael’s Churchyard.

Mary Ann was not the only one with such a marker. While thought to be common at one time, there are few still in existence. I found these online at Midway Church’s Colonial Cemetery in Liberty County, Ga. Like the wooden crosses people sometimes place on graves, these also decayed over time and fell apart.

These bedframe grave markers can be found in Liberty County, Ga. (Photo source: Vanishing South Georgia by Brian Brown)

Frank also pointed out the slate marker of Robert Stedman (1723-1766), which is in wonderful condition for its age. A winged soul effigy with long hair decorates the top.

“He Was Much Respected”

Robert and his brother, John, along with their families, traveled to Charleston from England sometime around 1760. Robert and John both grew indigo on land they’d obtained near the Santee River. The brothers also opened a Charleston barbershop where they created perukes (wigs of shoulder-length hair), popular for men of that era.

The name of Robert’s wife is unknown and she probably died before he left for Charleston with their children. He supposedly remarried to a the sister of a friend, John Boomer, who administered Robert’s estate after he died on Sept. 9, 1766 in his early 40s.

Robert Stedman and his brother, John, owned a barbershop in Charleston.

The next two markers are ones I particularly liked the look of more than anything else. I knew nothing about the Petigru family. But what I would find as I dug into their past was often sad and disturbing. It’s a cautionary tale in that while a man may go down in the history books for how his actions shaped a state’s future, the resulting cost of what his family endures in the process is a steep price to pay.

The Petigru Family

The first marker is for Daniel Elliot Huger Petigru (1822-1863). His beautifully carved marker does not reveal the strife that rippled through his family’s life.

Lawyer James Petigru was a vocal critic of South Carolina’s secession but he remained a respected figure in Charleston society. (Photo source: U.S. National Archives, South Caroliniana Library)

Daniel’s father, James Petigru, is much better known than his son. James was a lawyer, politician, and jurist best known for his service as the Attorney General of South Carolina. His juridical work played a key role in the recodification of the state’s law code. He was also known for opposing nullification and, in 1860, state secession.  Petigru made it clear that he was against South Carolina’s leaving the union and thought it would bring ruin to the state.

Daniel Petigu’s father James, labeled a “Unionist”, was well known in Charleston for his opposition to secession.

Born in 1822, Daniel was one of James and Jane Amelia Postell Petigru’s three surviving children. According to “Life, Letters and Speeches of James Louis Petigru: The Union Man of South Carolina” by James Petigru Carson, Daniel is described as being his mother’s favorite despite his unruly behavior.

An Unhappy Home

Life in the Petrigu home often difficult. James was gone much of the time and their oldest child, Albert, died from a fall off a third-floor banister at the age of eight. Jane was mentally fragile and developed an addiction to morphine. She was often ill, sometimes truly so while other episodes were feigned to gain attention. These circumstances affected James and the children.

Daniel was sent away to boarding school in Maryland, and suspended while at Princeton. He was admitted to the bar in Charleston but did little with that training. He joined the Third Regiment Dragoons of the U.S. Army and accompanied them to Mexico in October 1847. He made captain and was put in charge of a company but was later placed under arrest. Further brushes with trouble might have gotten him kicked out had the Regiment not disbanded the following year.

Discord in the Family

After losing a job in Savannah that his father had procured for him, Daniel worked in James’ law office off and on, living at home. Father and son did not get along well.

I found a sad letter written by James to his daughter, Caroline, about the death of Daniel. She was likely living in New York. While Daniel was often at home, he rented a room over a bookstore. It was there that he was found dead on the morning of Jan. 5, 1863 at the age of 42. He was buried at few days later at St. Michael’s Churchyard.

A hand descends from Heaven’s clouds to pluck an Easter lily, which is a symbol of resurrection and hope.

Despite their rocky relationship, James was deeply affected by his son’s death. He tried to look beyond the bad parts of Daniel’s character for anything that could be deemed admirable.

Now he is gone my mind loves to dwell on the circumstances that are favorable to his memory: and there are none more honorable than this, that he contracted no debts. At least I know of none, and his name is unsullied by any dishonesty or baseness.

James Petigru, already in poor health himself and struggling financially, died a few months later on March 9, 1863. I did not get a photo of his marker, but he is buried near James, his daughter, Sue, and wife, Jane.

Life of an Authoress

When I first saw the marker next to Daniel’s, I was intrigued because it features an open book with a quill lying across it. This was the grave of Daniel’s youngest sister, Susan “Sue” Petrigru King Bowen.

Sue was born on Oct. 23, 1824 and struggled with her mother’s mood swings and “illnesses.” When she went away to school, she soaked in all that was available to her from her academic classes to the glittering societal circles the glimpsed. Sue was not a wallflower and spoke her mind so her father despaired that she might attain a good matrimonial match.

In 1843, Sue married Henry King and her parents warily approved. James Petigru partnered in law practice with Henry and his own successful father, fellow attorney Judge Mitchell King.

A photo of Susan Petigru King Bowen in later years. (Photo source: South Carolina Historical Society – scanned from “A Family of Women: The Carolina Petigrus in Peace and War” by Jane and William Pease, University of North Carolina Press, 1999.)

But the King marriage was rocky. Henry and Sue had one child, Adele, in 1844. Sue was not happy with their lack of financial success as Henry was not ambitious. She often visited sister Caroline in New York. But Caroline’s husband was an alcoholic and she, too, was unhappy in her marriage. She would eventually separate from him in 1850 and enjoy life on the society circuit, pursuing painting.

Sue had dabbled in writing from girlhood. Her novels, which included Busy Moments of an Idle Woman (1853), Lily: A Novel (1855), Sylvia’s World: Crimes Which the Law Does Not Reach (1859), and Gerald Gray’s Wife (1864), focused on subversive portrayals of South Carolina aristocracy, in which men toyed with women’s affections, women plotted against one another’s best interests, and mothers forced daughters to choose wealth over romance. Her own life was rich fodder for such books.

Death At Seccessionville

Henry King died at the outbreak of the Civil War when fighting in the Confederate army, shot in the stomach during the Battle of Secessionville in 1862. Sue barely paused to mourn his death. Yet Sue kept on, affecting flamboyant behavior and setting tongues wagging in society circles.

While Christopher Columbus “C.C.” Bowen had a notable political career in post-Civil War South Carolina, his questionable behavior often had the Charleston elite talking.

In 1871, Sue shocked Charleston society and her family when she married Christopher Columbus “C.C.” Bowen. During the Civil War, Bowen enlisted in the Confederate Army and served in the Coast Guard. Upon the readmission of South Carolina to representation, Bowen was elected as a Republican to the 40th and 41st Congresses and served from July 1868 to March 1871. He was then a member of the S.C. House of Representatives during 1871 to 1872.

But Bowen’s past included a court martial for forgery from the Confederate Army and rumors swirled about other questionable behavior. He received a two-year prison sentence and a $250 fine for bigamy, but Sue appealed to President Ulysses S. Grant, who eventually offered Bowen a full pardon. C.C. was elected sheriff of Charleston County, a position he held through Sue’s death.

Susan Petigru King Bowen’s marker reflects her literary life.

In her last years, Sue lived in social isolation, having burned her bridges with her family due to her marriage and behavior. When Sue died of pneumonia in December 1875, her legal will mysteriously disappeared along with her jewelry.

C.C. married within a year of Sue’s death to a young woman 30 years his junior. He died in 1880 at the age of 48 and is buried in Magnolia Cemetery in North Charleston.

Sue and Daniel’s mother, Jane, died in 1868. She is buried at St. Michael’s Churchyard with husband, Daniel, and Sue. Caroline lived her last years in Rome, Italy pursuing her painting and enjoying the society life there. She died in August 1892 and is buried at the Protestant Cemetery (Acattalico) in Rome.

Next time, I’ll be at another Charleston, S.C. churchyard at the First Scots Presbyterian Church.

The Sass family plot at St. Michael’s Churchyard. Jacob Sass (1813-1865) served as president of the Bank of Charleston during his career.


More Charleston, S.C. Cemetery Hopping: Discovering St. Michael’s Churchyard, Part I

After finishing up at St. John’s Lutheran Churchyard, Frank and I walked the short distance to St. Michael’s Church. It’s located in Charleston amid what’s known as the “Four Corners of Law.”  The term covers the presence of institutions representing federal, state, local, and ecclesiastical law on each corner of the intersection. I remember hearing about this as a child when my family toured Charleston in a horse-drawn carriage like the one pictured below.

The Four Corners of Law

St. Michael’s Church stands on the southeast corner of the intersection. On the northeast corner is Charleston City Hall, constructed between 1800 and 1804. On the northwest corner stands the Charleston County Courthouse. Originally built in 1753 as South Carolina’s provincial capital, the building was rebuilt in 1792 for use as a courthouse. On the southwest corner is the U.S. Post Office and Federal Courthouse, built in 1896.

Standing in front of St. Michael’s to take a photo can get you mowed down by a car so I borrowed this one from St. Michael’s website.

St. Michael’s is also the oldest surviving religious structure in Charleston. It was built between 1751 and 1761 on the site of the original wooden church built in 1681 by St. Philip’s Church, which was damaged in a hurricane in 1710. A new St. Philip’s Church was built several blocks away on Church Street. In 1727, what was left of the old wooden church was demolished.

While nobody knows exactly who designed St. Michael’s, some credit the influence of St. Martin-in-the-Fields, London, designed in the 1720s by James Gibbs. Samuel Cardy was the builder. The church’s walls are made of stuccoed-over brick painted white. The two-story portico facing Broad Street was the first of its size in colonial America and features Tuscan columns.

I didn’t have a chance to go inside St. Michael’s but this photo from Wikipedia shows it’s as lovely as the outside.

Interior photo of St. Michael’s Church. (Photo source: Wikipedia)

St. Michael’s was originally affiliated with the Church of England. Following the American Revolution, the church came under the jurisdiction of what is now the Episcopal Church of the United States. Currently, it’s a parish church of the Anglican Diocese of South Carolina. In June 2017 the diocese, and by extension St. Michael’s, were received into the Anglican Church of North America. The parish continues to worship according to Anglican rites and traditions.

Frank does a good job in his book of explaining how St. Michael’s was in the thick of it during both the American Revolution and the Civil War. Used as an observation tower during the American Revolution, St. Michael’s 186-foot high steeple was painted black to decrease its visibility. The British stole the church’s bells in 1782. Union shells hit St. Michael’s during the Civil War, ruining the chancel. You can still see evidence of the bombardment at the bottom of the pulpit.

St. Michael’s has also hosted a number of important guests. President George Washington worshiped there during his 1791 visit. General Robert E. Lee also worshiped there some 70 years later.

An 1885 hurricane tore the top of St. Michael’s steeple off and swept away much of the slate roof. This is a view of the back of the church and part of the churchyard.

On Find a Grave, the churchyard at St. Michael’s has a list of almost 900 graves. If you visit, you’ll notice it is quite crowded. Some of the graves were built upon by the church over the years.

This photo gives you an idea of how crowded St. Michael’s Churchyard is.

St. Michael’s has the distinction of being the final resting place of two signers of the U.S. Constitution, John Rutledge and Charles Cotesworth Pinckney. Lamentably, I only photographed one of their graves. There’s a nice plaque summing up both their roles on the wall. As it turns out, the two men were connected by more than their role as signers.

A plaque details the lives of Charles Pinckney and John Rutledge.

A native of Charleston, John Rutledge practiced law in the early 1760s. Ten years later, he served as a delegate to the First and Second Continental Congresses. Also present was his younger brother, Edward Rutledge, who served as a delegate. Edward shared his law practice with Charles Pinckney, whom I’ll talk about later. In fact, Edward was 26 when he signed the Declaration of Independence in 1776, making him the youngest delegate to sign.

“Jurist, Patriot, Statesman”

John Rutledge was in the forefront of efforts to defend his state against the British by pushing for the construction of Fort Moultrie on Sullivan’s Island. He also assisted in drafting the U.S. Constitution, serving on several committees. From 1779 to 1782, he served as Governor of South Carolina.

John Rutledge was the first Supreme Court nomination to be rejected by the Senate, and he remains the only “recess appointed” justice not to be subsequently confirmed by the Senate. (Photo source: Wikipedia)

In 1789, President George Washington appointed Rutledge as one of the inaugural Associate Justices of the Supreme Court. Rutledge left in 1791 to be Chief Justice of the South Carolina Court of Common Pleas and Sessions. Following John Jay’s resignation in 1795, Rutledge returned to the Supreme Court as Chief Justice. Because the vacancy came during a Senate recess, Washington named Rutledge as the new chief justice by a recess appointment.

Chief Justice of the Supreme Court

When the Senate reconvened in December 1795, it rejected Rutledge’s nomination. Rutledge resigned soon after and withdrew from public life. He holds the record for the shortest tenure of any Chief Justice.

When Edward Rutledge, now Governor of South Carolina, heard about the death of his friend President George Washington, he became so upset that he had a stroke. Edward died  on January 23, 1800 at the age of 50 and is buried at St. Philip’s Episcopal Church Cemetery just a few blocks away from St. Michael’s. John Rutledge died about seven months later in July 1800 at the age of 61.

The grave of John Rutledge is worn by time and the elements. (Photo source: Philip Greendyk, Find a Grave)

Fortunately, I did get a photograph of the other Constitution signer Charles Pinckney. Of the two men, he’s probably the more colorful and caused more tongues to wag. Pinckney’s grave has a plaque above it with a long list of his accomplishments that cuts to the chase of what his great career encompassed.

As you can see, Charles Pinckney’s resume is very impressive.

Born into a powerful family of aristocratic planters in 1746, Pinckney practiced law with Edward Rutledge for several years before he was elected to the colonial legislature. Pinckney served in the American Revolutionary War. In Charleston, he was captured as a prisoner of war (as was his law partner, Edward Rutledge). Two years later, both were set free and Pinckney was brevetted to brigadier general.

After the war, Pinckney won election to the South Carolina legislature. An advocate of a stronger federal government, Pinckney served as a delegate to the 1787 Philadelphia Convention, which wrote a new federal constitution.

Pinckney and the XYZ Affair

After turning down George Washington’s first offer to serve in his administration, in 1796 Pinckney accepted the position of Minister to France. In what became known as the XYZ Affair, the French demanded a bribe before they would agree to meet with the U.S. delegation and Pinckney firmly declined. He returned to America, accepting an appointment as a general during the Quasi-War with France.

The Federalists chose Pinckney as their vice presidential nominee in the 1800 election, hoping to win support  in the South. While Alexander Hamilton worked to elect Pinckney president under the electoral rules then in place, both Pinckney and incumbent Federalist President John Adams were defeated by the Democratic-Republican candidates.

Miniature painted by John Trumbull in 1791 of Charles Pinckney. (Photo source: Yale University Art Gallery)

The Federalists chose Pinckney as their presidential nominee for the 1804 election but Thomas Jefferson won in a landslide. The Federalists nominated Pinckney again in 1808, but Democratic-Republican nominee James Madison prevailed.

After the 1808 election, Pinckney focused on managing his plantations and developing his legal practice. He died at the age of 79 on August 16, 1825. Interestingly, the final resting places of his two wives is unknown.

Next to Charles Pinckney (on the ground) is the grave of Frederick Rutledge, the son of fellow U.S. Constitution signer John Rutledge.

“So Sincerely Lamented”

You might notice that the marker on the ground next to Charles Pinckney’s grave is that of John Rutledge’s son, Frederick Rutledge (1771-1824). Frederick was married to Charles Pinckney’s niece, Harriot Pinckney Horry Rutledge. The couple lived at Hampton Plantation in McClelanville, S.C.

Hampton was once a bustling rice plantation that now belongs to the State of South Carolina as a museum. (Photo source: Brian Stansberry, Wikipedia)

Designed in the Georgian style, the construction of the home at Hampton Plantation was evolved over time starting in 1735 and ending around roughly 1791. The original core was built in 1735 by Noe Serre, a French Huguenot refugee, and was a central-hall two-story structure. The property was acquired in 1757 by Daniel Horry, Harriot Pinckney Horry Rutledge’s father, and he made additions to it.

While visiting Hampton Plantation in 1791, President George Washington was asked whether a certain oak tree should be cut down to create a better view from the portico. He replied that he liked the tree, and it was saved. From then on the tree was known as the Washington Oak.

Frederick Rutledge and Harriot made Hampton Plantation their home in 1797. They had eight children together. On April 12, 1824, in an odd repeat of his father’s death, Frederick had a stroke while crossing the Cooper River from Charleston to Haddrell’s Point. He fell backward into the river and drowned.

Frederick Rutledge died at the age of 52 on April 12, 1824 of a stroke, just as his father did in 1800. (Photo source: The National Gazette, Philadelphia, Pa.)

There are more stories to come from St. Michael’s Churchyard. Stay tuned.


More Charleston, S.C. Cemetery Hopping: Exploring St. John’s Lutheran Churchyard, Part II

I’m still at St. John’s Lutheran Churchyard in Charleston, S.C. It’s not a large burial ground but there are several graves packed into it. Find a Grave lists about 750 memorials, but I’m sure there are several more that are unmarked.

I’ve twice visited a plot on the back left side next to the wall. I have a photograph from a previous trip that shows the wrought iron fencing falling down. Making such repairs is costly so I’m not being judgmental when I mention this. It’s a common sight in many old churchyards around Charleston.

I took this photo some years ago on a previous visit.

This plot contains graves of the Siegling and Schnierle families. The Siegling family intersected with the Schnierles when Johann “John” Zacharias Siegling, Sr. married Mary Regina Schnierle in Charleston in 1823. The two families would play a major role in the future of their adopted city.

Born in 1791 in Erfurt, Germany, John Siegling was the second of 17 children of mathematics professor Johann B. Siegling. At age 12, John learned the cabinet maker’s trade, and in 1806 he left Erfurt. He worked his way from Germany to Paris, where he arrived in May 1809. That’s when his life took a decided turn.

A rare photo of John Siegling, Sr. from an advertisement for his piano shop in Charleston, S.C.

Playing a New Tune

In April 1810, John met piano manufacturer Sebastian Erard and became an instrument maker. In 1813, he finished his first piano. He remained with Erard for nine years, the last four in Erard’s London establishment. In September 1819,  John headed for America and arrived in Charleston in November 1819. His uncle, Johann Heinrich Siegling (1770-1827), had emigrated there in 1798. He is buried in another area of St. Johln’s Churchyard.

After quickly establishing himself at the Corner of Broad and King streets, John began advertising the repair and tuning of musical instruments. Drawing upon his cosmopolitan background, he pledged to satisfy the most discriminating of customers. Thus, the Siegling Music House was born.

As I mentioned earlier, John Siegling married Mary Regina Schnierle in 1823. She was the beautiful, intelligent, and musically accomplished daughter of fellow carpenter Johann Michael Schnierle and Maria Barbara Munsch Schnierle from Germany. I’ll share more about the Schnierles later.

John and Mary had seven children, five of whom lived to adulthood. Two of his sons, Henry and Rudolph, grew up to help him make the Siegling Music House a great success in Charleston.

Note the Siegling Music House sign on the right. The picture was taken around 1910. Located on King Street, the three-story masonry building was remodeled in the mid-19th century and again around 1900.

Tragedy struck when the Fire of 1838 destroyed much of the city center. The Siegling Music House, then located on Meeting Street, was destroyed but John didn’t let that keep him down. He rebuilt his business at the corner of King and Beaufain Streets. Another tragedy came as a result of this fire in the Schierle family, but I’ll get to that later.

Born in 1825, John Jr. was the second of the Siegling children. Most of them got their early education overseas in Germany. John Sr. and Mary also traveled back to their home country often during those years to visit their children, see family, and conduct business.

“Rare Union of Talent and Integrity”

John Jr. studied law in Charleston and completed his degree at Harvard University in 1846. He returned to practice law in Charleston and served in the South Carolina legislature. In the prime of his life,  John Jr. became ill and after three weeks, passed away on Oct. 18, 1857 at the age of 32. The cause of death listed in records was paralysis.

John Z. Siegling Jr. died at the age of 32 in 1857, about 10 years before his father. The two share a monument at St. Johh’s Lutheran Churchyard.

John Sr. and Marie’s eldest child, Marie Regina, was as accomplished a musician as her mother and studied music in Paris. She was an internationally acclaimed singer, marrying German music professor Eduard Schumann Le Clercq in Charleston in 1850. They spent much of their time in Europe but returned to Charleston often with their children.

An ad for the Siegling Music House in an 1872 edition of the Charleston News. By this time, John Siegling Sr. had passed away and son Henry had taken over the business.

Sons Henry and Rudolph worked alongside their father in the family business, which John Sr. kept operating even during the Civil War. The brothers served in the Confederacy. Rudolph was seriously wounded at the Second Battle of Bull Run by an exploding grenade. His death was actually reported to the family and a funeral service was conducted in Charleston. According to Marie’s memoirs, when John Sr. went to retrieve his son’s body, he found to his shock that Rudolph was very much alive!

Henry, who spent the most time in Germany in his younger years, served in Parker’s Company, South Carolina Light Artillery and participated in blockade running. He took over running the business for his father after John Siegling, Sr. died on Oct. 31, 1867. John Sr. was buried with son John Jr. at St. John’s Lutheran Churchyard.

Rudolph died (for real) at age 55 in 1894 of “cerebral apoplexy”. He is buried at Magnolia Cemetery, north of downtown Charleston. His mother, Mary Siegling, died at age 90 in 1896 and is also buried at Magnolia Cemetery. Henry died at age 77 in 1907 and is buried with his mother and brother at Magnolia. Eldest child Marie Siegling Le Clercq died in France at the age of 95 in 1920 and was cremated there.

Henry’s son Rudolph took over the family business in 1905. The Siegling Music House remained in operation in Charleston until 1970.

Who was Charles A. Siegling?

There’s a bit of mystery surrounding the marker against the back wall for Charles Augustin Siegling (1837-1878). He is related to the Sieglings, but I’ve been unable to determine exactly how. He came over from Germany right after the Civil War, settling in Charleston. Local directories show he was an accountant working at the same address as the Siegling Music House.

Charles Siegling died of typhoid fever at the age of 42 in 1878.

I suspect that during one of his many trips to Europe, John Sr. promised Charles, possibly a nephew or cousin, that he could have a job if he ever came to America. I can’t find any records about Charles beyond mentions in local directories and his death record. He died in 1878 of typhoid fever.

Schnierle Family History

Mary Schnierle Siegling was the daughter of carpenter Johann Michael Schnierle. Like her husband, Mary’s father came to Charleston from Germany seeking a more prosperous future. The son of a Lutheran clergyman, Johann probably arrived in America around 1805. He and wife Maria Barbara Schnierle had five children together in Charleston, with Mary being the eldest.

Second child, John, became a popular member of the thriving German community. He belonged to the Charleston City Council from 1838 to 1841, then became the city’s second German mayor in 1842 and served until 1845. He was elected mayor in 1850, serving a year.  At the beginning of the Civil War, he was Major General of the Sixteenth Regiment, South Carolina Militia but died in the early days of the conflict from poor health. He is buried at Magnolia Cemetery.

The grave marker of Johann “John” Schnierle, his wife, Marie Barbara Schnierle, and their youngest son, William Schnierle.

The marker for John, Marie, and their youngest son, William (1815-1875) is located along the back wall and goes in order of whom died first. Marie died on April 17, 1836 at age 59. John died at age 65 in 1844. Son William died in 1875 at age 60.

The last story I’m going to share concerns the obelisk at the center of the Siegling/Schnierle plot. Unfortunately, I did not get a good photo because I was more taken with John Sr. and John Jr. Siegling’s monument. But I did get it in the background.

Frederick Schnierle’s life was tragically cut short in the Charleston Fire of 1838. I apologize for the fact that part of another monument (his father and brother John’s) is jutting into the photo.

Frederick Schnierle was the third child of John and Marie Schnierle. Born in 1810, he was as popular in the German community as his brother John. Frederick was also an assistant chief of the local Fire Masters. That role would prove fatal.

Charleston was no stranger to fires. Jacob Schirmer, a merchant living in the city in the 1830s, recorded at least 69 Charleston fires. But the Charleston Fire of 1838 was surely the worst. Over 1,000 buildings were damaged, and more than a fourth of all the businesses within the city suffered damage, with losses of over $3 million.

The Charleston Fire of 1838

At around 9 p.m. on April 27, 1838, fire bells rang after a spark ignited a shed at the corner of King and Beresford Streets. Within minutes, four more houses were engulfed.

In an attempt to stop the fire’s wrath, the decision was made to demolish some buildings with explosives. Bringing them down to ground level reduced the hazard of windblown sparks, and from cleared lots, fire hoses could put scarce water on adjacent structures. At the same time, it was a strategy many were reluctant to take.

This map of the City of Charleston shows the extensive damage from the Fire of 1838. The black-shaded area represents the portion of the city that was destroyed by the blaze – about a quarter of Charleston. (Photo Source: Charleston Historical Society)

After bagged powder and prepared charges ran out, the fire department was forced to set fuses to kegs of gunpowder. An account of what happened to Frederick Schnierle was written in the Charleston News and Courier:

The assistant fire chief was fatally injured when a keg in a house at Liberty and King Streets exploded too quickly. Buried in its ruins, Frederick Schnierle spoke calmly to his rescuers as they dragged him out burned, disfigured, but still conscious. He died at home half an hour later.

He was only 28 years old.

Another view of the base of Frederick’s monument through the wrought iron fence. His parents and brother William’s marker is to the right against the back wall.

“Tears of Admiration”

The Charleston City Council voted on July 30, 1839 to pay $300 to the firm of James E. Walker & Brothers to inscribe a marble monument in Frederick’s honor. I’ve mentioned the Walkers in former blog posts as some of the best known stone carvers in Charleston. The inscription reads:

This monument is erected by the CITY COUNCIL of Charleston, on behalf of his grateful fellow citizens to the memory of Frederick Schnierle.
A native of this city and an officer of the engineering department
who fell a victim at the age of 28 years. To his own uncontrollable Public Spirit
During the awful fire that desolated a third part of the City
on the night of April 27, 1838. The noble qualities of his character
giving promise of a useful and honorable life served to aggravate the public grief for his loss and to multiply the tears of admiration
which laden this memorial of his worth.

Next time, I’ll be sharing stories from Charleston’s St. Michael’s Churchyard.

Note the upside down torches on the monument of Col. J. Charles Blum. They symbolize death, and the burning flame, which would normally be extinguished when the torch was turned upside down due to a lack of oxygen, symbolizes the flame of eternal life and the Christian belief in resurrection.

More Charleston, S.C. Cemetery Hopping: Exploring St. John’s Lutheran Churchyard, Part I

I promised when next I wrote, I would share my visit with Frank Karpiel to St. John’s Lutheran churchyard. It was as easy as opening the gate in the Unitarian churchyard to accomplish that.

A History of St. John’s Lutheran Church

According to St. John’s web site, the congregation dates its start to the 1742 arrival of Dr. Henry Melchior Muhlenberg, father of the Lutheran Church in America. He made a two-day stop in Charleston on his way to visit the Salzburger colony at Ebenezer, Ga. A month later, he came back to spend three weeks waiting for a ship to Philadelphia during which time he taught catechism to the children of the German residents, and held services with communion on Sundays.

The Rev. John George Friederichs came in 1755 and organized the congregation. While evidence points to several trained men conducting Lutheran services in South Carolina prior to this era, organization of the congregation into a formal body and the hiring of a pastor seems to mark the beginning of Lutheranism in South Carolina

Side view of St. John’s Lutheran Church from the churchyard.

Services were held in the French Huguenot Church until the first Lutheran church was completed in 1763 and dedicated by 1764. According to the National Park Service, this wooden building was located behind the site of the current church on Clifford Street. St. John’s pastor during the American Revolution, the Rev. John Nicholas Martin, was expelled from Charleston because he refused to pray for the King of England. Dr. John Bachman, from Rhinebeck, N.Y., directed construction of the current church building.

Built from 1816 to 1818, the design of the church is attributed to Charleston architect and church member Frederick Wesner. Other Charleston craftsmen and builders contributed to its design and construction. The rectangular, stuccoed brick building combines Federal and Baroque elements. The Italianate steeple with bell-shaped roof wasn’t added until 1859, and was built by David Lopez, contractor for the Kadal Kadosh Beth Elohim Synagogue (which I toured several years ago).

A True Survivor

Like many historic buildings in Charleston, St. John’s sustained damage in the Charleston earthquake of 1886 and the 1891 hurricane. St. John’s was also damaged by Hurricane Hugo in 1989 but was restored.

This was not my first visit to St. John’s. I had passed through back in 2013 when Chris and I did a hurried cemetery day on an anniversary trip. But with Frank to give me some guidance, I saw some gravestones I had missed on that first trip.

Since Garak Hieller was a German immigrant, it’s not surprising his grave marker is written in his native tongue. Because St. John’s is a Lutheran church, many early members were native Germans.

The marker for German-born Garak Hieller (1735-1802) doesn’t tell us a lot about him but the sight of it alone makes one stop abruptly. I’ve seen other skull graves in Charleston, but this one has more detail than most. The teeth, the seams along the top of the skull, the detail on the eye sockets. It’s awesome.

Memento mori is Latin for “Remember, You will die.”

The next marker I found lying on the ground near the back wall. The uprooted tree design got my attention. As I began to dig into the life of the man it had been made for, I was fully pulled in. It was a story with undertones I was familiar with from other people whose pasts I’ve uncovered in Charleston.

Free Persons of Color in Charleston

Born in 1811 in Hanover, Germany, Gabriel Garbon made his way to America, settling in Charleston. His profession is unknown. At some point, Gabriel met Flora Scott, who was known as a “free person of color”. The 1850 Census lists Flora as a “mulatto” which usually meant she was of mixed race. Charleston was actually home to a small group of such residents at that time, with a few doing quite well in the merchant class.

Flora’s son, Thomas Scott, is listed on the same census record as three years old at the time. In later records, he would be listed as Thomas Garbon so I believe he was the son of Gabriel and Flora. Later, the couple would have another son named Dietrich in the early 1850s. He, too, would eventually take Gabriel’s last name.

While Gabriel Garbon’s grave marker has an inscription that is not easy to read, it describes him as noble, gentle, and having good sense.

A few years ago, I shared the story of Joseph Purcell. He was an African-American stone carver who was the son of Laura Huggins, a servant of mixed race, and a wealthy hotel owner with the last name of Purcell. The pair never married. Joseph’s brother, Herbert, attended Howard University’s School of Medicine and became a doctor. I suspect his well-to-do father assisted him financially and gave both brothers his name.

Unlike other states, South Carolina did not prohibit interracial marriage until after the Civil War. The state suspended the prohibition in 1868, only to re-enact it in 1879. That did not change until the Supreme Court’s Loving v. Virginia ruling barred all states from outlawing interracial marriage.

When Gabriel died on Oct. 22, 1854 of consumption (now known as tuberculosis), his will clearly spells out that he left his estate to Flora, Thomas, and Dietrich. While he does not name her as his wife or the boys as his sons, future documents for the boys would list their last name as Garbon.

Serving in the U.S. Colored Troops (USCT)

I don’t know when Flora died or where she is buried. But Thomas Garbon went on to serve in the 103rd Regiment, Company D, of the U.S. Colored Troops during the Civil War. The 103rd was organized near the end of the war. It performed garrison and guard duty at Savannah, Ga., and at various points in Georgia and South Carolina.

I’ve seen plenty of markers with trees on them but never one that was uprooted like this one appears to be.

In 1866, Thomas opened a bank account with the Charleston branch of the U.S. Freedmen’s Bank and listed his father as “Gabriel.” His profession is listed as cigar maker. In 1890, he applied for and began receiving an invalid’s pension for his military service. He died in 1892 and is buried at Beaufort National Cemetery in South Carolina. Younger son Dietrich worked as a ship’s carpenter in Charleston in the 1880s. He married and had a family before dying around 1890. I don’t know where he is buried.

Decoding Masonic Symbols

The final marker I want to show off today is that of an infant, Ann Allison. The daughter of James and Elizabeth Allison, Ann was born on Oct. 10, 1786 and died on Oct. 25, 1787. She barely lived a year, sad to say.

Frank pointed this one out to me since he included it in his book. He notes that the compass on top is Masonic in nature. I thought that was intriguing since the child was barely a year old. While little Anna was not a Mason, my thought is that her father James Allison most assuredly was.

Infant Ann Allison was not a Mason. But her father, James, was a key player in the formation of Charleston’s first Masonic Lodge.

The emblem of the compass with a sun inside of it may indicate he was involved in the Scottish Rite, the largest and most widely practiced Masonic Rite in the world and employs a lodge system. A grave I’ve seen with a very similar sun marking was for a Past Worshipful Master of the Masonic order. It’s possible James Allison had achieved that rank at the time of his daughter’s death. I’m not an expert on Masonic symbols so I could be wrong.

I also learned that the first Grand Council of Princes of Jerusalem was organized at Charleston on May 12, 1788, just months after Ann died. I have a feeling James Allison may have also been involved with that as well.

Next time, I’ll have more stories from St. John’s Lutheran churchyard.






More Charleston, S.C. Cemetery Hopping: A Brief Stop at the Unitarian Churchyard

Last time, I finished up my two-part series on Charleston, S.C.’s French Huguenot churchyard. Today, I’m going to feature a brief stop Frank Karpiel and I made at the churchyard at the Unitarian Church of Charleston. I’ll explain why it was brief in a moment.

To get to the Unitarian Church, Frank led me through what’s known as the Gateway Walk on Church Street. It was opened in 1930 by the Garden Club of Charleston to coincide with the 250th anniversary of the founding of the city. The club maintains the walk with proceeds from fundraising projects. The walk is well worth the time and you’ll end up in the Unitarian churchyard eventually.

The Gateway Walk was opened in 1930 by the Garden Club of Charleston.

History of the Unitarian Church of Charleston

A National Historic Landmark, the Unitarian Church of Charleston is the oldest Unitarian church in the South. In colonial Charleston, membership of the Circular Congregational Church (then known as the Independent Church) became so great that they decided to build a second church building. Construction began at this site on Archdale Street in 1772, temporarily interrupted by the Revolutionary War. The small rectangular brick church was finally completed in 1787.

In 1817, the Archdale congregation was chartered as the Second Independent Church, with a Unitarian minister presiding. Because the American Unitarian Association was not organized until 1825, it wasn’t until 1839 that this congregation was rechartered as Unitarian.

This is a view of the Unitarian Church from the St. John’s Lutheran churchyard next door.

Architect Francis D. Lee is responsible for the 19th-century Gothic Revival additions to the building. In 1852 his two-year renovation of the church began, which included adding the rear chancel, a four-story tower, and stucco to the original brick walls. The remodeled church exhibited typical Gothic features such as the crenellated tower, arched windows, stained glass panels, and Tudor arch entrance. When the building suffered significant damage in the earthquake of 1886, people across the country sent donations to fund repairs.

Today, the Unitarian Church of Charleston is thriving and has a growing membership that is active in the community.

On to the Churchyard

So why did we not linger longer, so to speak, at the Unitarian churchyard? It wasn’t for lack of interest. The Unitarian churchyard is quite unlike most you’ll see elsewhere because they pretty much let the flora and fauna grow as it wishes with little taming. The flagstone pathways are clear but the gravestones are sometimes obscured by the plants.

If you’re looking for neat and tidy rows of gravestones, the Unitarian churchyard will not be your cup of tea.

Many people adore the charm this style of churchyard offers. It’s incredibly creative. But at the same time, it came make photographing the graves a tricky business unless you want to tear out grass to see the names/dates and that’s not a good idea.

I did see some gravestones from the Unitarian churchyard that I think you’ll enjoy. Like the memorial monument for Dr. Edward Henry Strobel. I say memorial because I’m pretty sure he’s not actually buried there. Let me explain.

Are the ashes of Dr. Edward Henry Strobel here?

Born on Dec. 7, 1855 in Charleston, Edward H. Strobel was the son of accountant Maynard Strobel and Carolyn Bullock Strobel. He attended Harvard University and Harvard Law School, being admitted to the New York bar in 1883. After helping in the 1884 Presidential campaign of Grover Cleveland, he was offered the post of Secretary of Legation to Madrid and held the post for five years. It was clear fairly soon that Strobel was destined for a life of international work.

A Diplomat’s Life

Based on notes from his period in Madrid, Strobel penned a book on the Spanish Revolution in 1868. He returned to America to become Third Assistant Secretary of State in Washington, D.C. from 1893-1894. Then it was off to serve as U.S. Minister to Ecuador in 1894, and then Chile from 1894-1897. He returned to Boston in 1898 to become the Bemis Professor of International Law at Harvard.

A portrait of Edward Henry Strobel taken from his book, “The Spanish Revolution, 1868-1875”.

By this time, Strobel was in his 40s and could have remained at Harvard, enjoying a pleasant career. But in 1903, Strobel took a leave of absence to represent the Kingdom of Siam at the International Peace Court in The Hague. In 1906, he moved to Bangkok to become the American Adviser in Foreign Affairs to the government King Chulalongkorn of Siam.

That same year, Strobel visited Egypt and while there, was stricken by an infection caused by an insect bite. His health declined and despite several surgeries, he eventually died in Siam on Jan. 15, 1908 at the age of 52. He never married and in his will, he left his estate to his mother, sister, and other family members.

The other side of Edward H. Strobel’s marker further details his illustrious career.

Stone for Edward Henry Strobel at the Bangok Christian Cemetery in Thailand. (Photo source: Chris Nelson, Find a Grave)

Now comes my uncertainty. According to the New York Times, Strobel was cremated in a ceremony on Feb. 5, 1908 at which King Chulalongkorn himself lit the funeral pyre. There’s a stone for him at the Bangkok Christian Cemetery in Thailand (see above). But as you can see in the photo further up, Strobel also has a marker at the Unitarian churchyard. Odds are his ashes are not buried at neither spot but with two markers, his life will not soon be forgotten.

“Sweetly Retired from Mortal Life”

Frank pointed out the next marker to me, which he included in his book. It’s noticeable for the smiling soul effigy on the top but shares a sad story as well. The stone for Charles Otis reads:

Sweetly retired from mortal life, Lies here Sanctified Excellence, Matured understanding, the gentleness of the passions, The hopes of the aged and boasts of the Young: The solace of his family and, we trust, The approval of his God. Mr. Charles Otis, the 5th Son to Joseph Otis, Esqr., and Mrs. Maria Otis, his Consort, of Barnstable in the State of Massachusetts, In which place he was born on July 8th, 1777, and who departed this life in this City August 12th, 1794, Aged 17 years, 1 Month & 7 days, After a residence in the same of 6 months.

Charles Otis had only been in Charleston six months when he died on yellow fever in 1794 at age 17. His marker was carved by John Just Geyer of Boston, Mass.

Born in 1777, Charles was the son of lawyer Joseph Otis. Charles’ uncle was also a lawyer named James Otis, Jr. who (according to Frank’s book) first said the phrase, “Taxation without representation is tyranny.” He was a political activist, pamphleteer, and legislator in Boston who stirred up controversy throughout his life. Oddly enough, on May 23, 1783, he stepped outside to watch a thunderstorm and was killed by a lightning bolt.

How Charles came to be in Charleston in 1794 is unknown. But after only being in the city for six months, he died of yellow fever at the age of 17. His handsome stone was carved by the talented John Just Geyer of Boston, Mass., who carved other markers for the Otis family over the years.

Portrait of an Author

The last person I’m featuring has some mystery surrounding her. I don’t think the person who created her Find a Grave memorial realized who she was because there are no dates on her gravestone, which has a planter as part of it. So her FG memorial has no details on her brief life, which it turns out was quite full.

Mary Lee’s birth and death dates are not inscribed on her marker but I found them elsewhere.

Mary Elizabeth Lee was born in 1813 to attorney William Lee and Eliza Markley Lee, who married in 1803 in Charleston. Her uncle, Thomas, was a U.S. District Judge. Born with a delicate constitution, Mary was much shielded from the world. However, she was much loved by her parents and many siblings. She didn’t begin attending school until the age of 10 when she was placed in the charge of a Mr. A. Bolles, who proved a talented teacher.

A Writer’s Life

Entering school changed Mary’s life and books became a passion. She made rapid progress in her studies and developed an aptitude for learning languages. She might have pursued this harder but her health wouldn’t allow it. She loved to write poetry and stories.

Portrait of Mary Elizabeth Lee, who accomplished much in her short time on Earth.

At age 20, Mary became a contributor to The Rose Bud, a popular periodical edited by Caroline Howard Gilman. The wife of a Unitarian minister, Gilman was thought by some to be the most famous female author in the South from the 1830s to 1850s. She, too, is buried at the Unitarian churchyard.

Mary also began contributing to The Southern Rose, Graham’s Magazine, Godey’s Lady’s Book, and the Southern Literary Messenger. She used the pen names “M.E.L.” and “A Friend”.

Her first volume, entitled Social Evenings, or Historical Tales for Youth, was published in 1840 by the Massachusetts Board of Education School Library Association, and proved to be one of the most attractive in the collection.

Stymied by a right hand that was paralyzed, Mary learned to write with her left hand. Sadly, her health eventually broke down completely and she died among her family on September 23, 1849. The Poetical Remains of the late Mary Elizabeth Lee, with a Biographical Memoir by S. Gilman, D. D., was published after her death in 1851.

Mary’s marker includes the following epitaph:

My Sister, As some Mighty swell Doth part two vessels to one Haven Bound,
So death has come between us.

Mary’s mother, Eliza, died in 1855 and is buried beside her. Mary’s father, William, is thought to be buried in an unmarked grave in the churchyard.

Mary’s mother, Eliza, died in 1855 and is buried beside her. The grave of her father, William, is unmarked.

Before I forget, there’s a ghost story attached to this churchyard that gets talked about a lot. Many think Edgar Allen Poe’s poem Annabel Lee is based on a tragic story of a young woman buried in an unmarked grave in the churchyard. You can read about that here.

Next time, we’ll explore the churchyard next door at St. John’s Lutheran Church.

More Charleston, S.C. Cemetery Hopping: Visiting the French Huguenot Churchyard , Part II

Before we get started, you may notice a slight change in the title of this week’s post. Two weeks ago, I referred to my subject as the French Huguenot Church Cemetery and that was technically incorrect.

Cemetery vs. Churchyard vs. Graveyard

This issue was in the back of my mind when I was writing that initial post but I dropped into default mode and stuck with “cemetery.” Truth be told, in this case, the term “churchyard” is more appropriate. I looked up Frank Karpiel’s reference in his book and he refers to it as a “churchyard” so I am going to bow to his superior knowledge. The definition of churchyard is a patch of land adjoining or surrounding a church, some of which can be used for burials. Some call that patch a “graveyard”.

Today, the words are often used interchangeably and I’m sure if someone went through my blog, they’d find mistakes in how I refer to some of them. The word “cemetery” didn’t come into play until the last few centuries and usually refers to a large burial ground not associated with a church. It comes from the Greek κοιμητήριον, meaning “sleeping place”.

“Tutor of the Orphans”

One particular gravestone that Frank pointed out to me was that of Philip Anthony Besselleu (sometimes spelled Bessellieu) (1747-1795), who was a teacher to about 600 students at the free school operated by St. Philip’s Episcopal Church just down the street. He also worked at the Charleston Orphan House. In 1791, President George Washington came to Charleston and while there, he visited the Orphan House. He spent some time with the children and had breakfast with the staff. Besselleu and his wife, Susannah, also had several children of their own.

Despite the shadows, you can see the smiling face of the soul effigy topping Philip Besselleau’s marker. His stone calls him a “Tutor of the Orphans.”

The detailed soul effigy at the top of his stone was carved by Thomas Walker, a Scotsman with an abundance of talent. The face looks quite sweet. His work, and that of his four sons (David, James, Robert, and William), can be seen on markers throughout South Carolina until around the Civil War.

Thomas Walker’s son-in-law was John White. John’s son, John Jr., and his grandson William did their fair share of beautiful carving work, some of their creations turning up throughout the Southeast. I was picking through a cemetery in Greenville, Ala. in January this year and was thrilled to come across one of John’s monuments.

What is a Soul Effigy?

The soul effigy itself, or winged cherub, was the motif that began replacing the skull and crossbones (which I featured in Part I) so often seen in the 1600s into the 1700s. These ‘winged effigies’ might look like angels, but they often were artist depictions of either cherubs or, possibly, the human soul. Some believe they might have even resembled the deceased themselves at times.

You can see another example across the churchyard from an earlier time than Philip Besselleau’s. Barbary Bocquett’s stone is unique even by Charleston standards since the face of the effigy is decidedly more chubby than usual and the wings drape straight down. The chin is also quite large in contrast to the tiny dot eyes. It is thought that the carver could be John Zuricher of New York, whose similar looking work can be found in the graveyards of Long Island.

This stone could be the work of John Zuricher of New York.

I learned that Barbary’s home, which was a few blocks away from the church on Broad Street, was used as a French school to teach Huguenot children in the 1750s. She died on May 19, 1755 at the age of 35. Barbary’s footstone with her initials “B.B.” has also somehow survived. That’s a miracle in itself.

I’m a bit surprised that Barbary Bocquett’s foostone still exists.

“His Unfeigned Grief”

Not much is known about Thomas Tunno beyond the fact he was a wealthy Charleston merchant who was active in the shipping trade. He married Harriet Ward in late April or early May 1800 (records give conflicting dates). I believe she had a heft dowry of her own. She was about 25 at the time. Barbary died on Feb. 21, 1802 at age 27. Her inscription reads:

The disconsolate Husband caused this Monument to be erected as an evidence of his unfeigned Grief. And a just tribute of respect to her virtues.

It’s sad to see that Harriet Tunno’s marker has become part of the sidewalk but that is often the fate of older Charleston gravestones.

It’s difficult to make out in the picture, but at the top of the marker is a female figure leaning against a pedestal supporting an urn. This was a very common motif that came into use around early 1800s.

If you look in the bottom left corner, you can see the name “G. Rennie, Charleston”. George Rennie was another Scotsman who found his way to Charleston and was a popular carver until his death in 1810.  He is buried not far away in the First Scots Presbyterian Church’s churchyard.

From the Old to the New

One thing you’ll notice in the churchyard is that scattered among the older markers are new ones from the last few decades. This isn’t always the case in burial grounds I’ve visited. The French Huguenot Church membership is still quite active and it look like there’s still some space among the crowded stones to be buried.

When you first catch sight of this slate stone, you might think it was old. But it was done in 2008 for Opal Jenrette Robinson. She died at the age of 93. Made of slate, it looks as if it might have been carved by George Rennie or Thomas Walker.

Opal’s Find a Grave memorial notes that “with good health and a great sense of humor she outlived three good husbands, Boyce Waddell, Howard Leath, and Robbie Robertson.”

Instead of a soul effigy or a winged skull, Opal’s marker features a cherub leaning on its elbow. It’s a more modern take but still respectful of the old style. It even keeps some of the original language of those old markers, starting with “Here Lies Buried the Body of…” Especially touching are the final words, “She gave us Kay.”

There are, hard as it is to believe, a handful of carvers out there trying to keep this old art form going today. Some of them live in Charleston and I’m guessing Opal’s family commissioned this stone in her memory.

Not far away is a similar slate marker for Opal’s daughter, Kay, who died in 2006 at the age of 67. The cherub at the top is slightly different. At the bottom are the words, “An angel flying too close to the ground.”

Kay Ward died on Sept. 13, 2006.

On the other side of the churchyard is the stone of Millicent Whitfield Bradsher, who tragically died in a car accident on Feb. 16, 1998. The marker is rounded at the top and has a footstone, making it look older in style. But the fresh blue mosaic tile in front of it is definitely not. I think it fits in well at the churchyard and is complimentary of the styles around it.

Millicent Bradsher was only 22 when she died in 1998.

The beauty of these modern markers is that they are evidence of the continuing life of the church itself, which has not died. People still attend services, pray and sing hymns as they did hundreds of years ago with the church was first started. Unlike many churches, the French Huguenot Church of Charleston has not faded away. It is still going strong today.

Having been born of a religious movement that some sought to stamp out, that’s quite impressive.

I’ll be back with more stories from Charleston, S.C’s churchyards and cemeteries.

More Charleston, S.C. Cemetery Hopping: Visiting the French Huguenot Churchyard, Part I

The end of May marks my family’s annual visit to Folly Beach, S.C. In 2018, I was especially eager to go because I’d made contact with someone willing to visit cemeteries with me in nearby Charleston’s historic district.

“Hopping” With an Expert

I’ve visited Charleston’s historic cemeteries several times over the years but never with a person I consider a true expert on them. Frank Karpiel has published several articles in newspapers, magazines, and scholastic journals, and he wrote a book on Charleston’s cemeteries in 2013. He’s also taught as a visiting assistant professor at the College of Charleston and an adjunct professor at the Citadel Military College. So he knows what he’s talking about.

I took this picture of the French Huguenot Churchyard through the fence in 2013.

I contacted Frank online and he kindly agreed to meet up with me during my May 2018 visit. Because I do most of my cemetery “hopping” solo, it was a genuine treat to do it in the company of someone who can not only share what he knows about the cemeteries but gets as excited about seeing them as I do.

I highly recommend getting a copy of Frank Karpiel’s book “Charleston’s Historic Cemeteries.” (Photo source:

I was also excited that we were meeting at the churchyard French Huguenot Church (FHC) of Charleston, which I’ve never been inside. Because of vandalism over the years, the church wisely limits access to the churchyard and it’s always been locked up when I’ve visited.

But on this day, the church itself was open for tours and Frank was talking with the pastor in the churchyard when I arrived. I blithely climbed over the chain and joined them knowing I wouldn’t be scolded.

History of the French Huguenot Church of Charleston

According to the FHC web site, the Huguenot (or French Protestant movement) had a key role in the European Protestant Revolution. Protestants persecuted by the French Catholic Court migrated to Europe, South Africa, and the Americas.

By the late 17th century, Huguenots had settled in several Eastern coastal areas. These groups grew when Louis XIV caused the Edict of Nantes to be revoked in 1685, stripping French Protestants of all religious and political privileges. The English encourage these refugees to settle in the colonies, most from France’s prosperous merchant and professional classes.

I took this picture of the French Huguenot Church across the street in May 2018. The present Gothic Revival edifice, designed by Edward Brickell White, was dedicated in 1845.

In April 1680, the ship Richmond came to Charleston with 45 French Protestants (Huguenots) aboard and additional refugees followed. In 1687, a church was built on what is now the corner of Church and Queen Streets in downtown Charleston. About 450 Huguenots had settled in the Low Country by 1700.

After the original church was destroyed in 1796 in an attempt to stop the spread of a fire, its replacement was completed in 1800. That was dismantled in 1844 to make way for the present Gothic Revival structure, designed by Edward Brickell White and dedicated in 1845. The current church was damaged by shellfire during the long bombardment of downtown during the Civil War.  It was nearly destroyed during the earthquake of 1886.

Interior of the French Huguenot Church of Charleston. I looked around at the end of my visit that day. You can see memorials on the walls throughout the sanctuary.

In his book, Frank points out that the current church building was apparently built over part of the earlier graveyard. So there are more people buried there than the above-ground markers would indicate.

Today, the French Huguenot Church of Charleston is independent and not affiliated with any governing church body. It shares ties to the Presbyterian Church (Church of Scotland), the Dutch Reformed, and Lutheran Church by virtue of its early leadership under John Calvin. Calvin’s Institutes of the Christian Religion published in 1536 form the historic basis for the formation of these “Calvinist” denominations. Once a year, it holds a service in French as a way to harken back to its roots.

Portrait of an Artist

One of the first grave markers I saw was for Henry Breintual (I’ve also seen it spelled Brintnell) Bounetheau, the grandson of John Bounetheau and the son of Peter Bounetheau. It reads “who came to Charleston from La Rochelle, France on the Revocation of the Edict of Nantes of 1685. The last two are interred beneath this church.”

Henry B. Bounetheau’s father and grandfather are “interred beneath this church”.

Born in Charleston in 1879, Henry was the son of Peter and Elizabeth Weyman Bounetheau. Peter is thought to have served in the American Army. Although Henry studied art as a boy, his chief occupation was that of an accountant and he later became an officer in the Bank of Charleston.

Although he later became popular for his painting of miniatures, Henry Bounetheau primarily supported himself as an accountant. This is a watercolor on ivory self portrait he completed in 1867. (Photo source: Smithsonian American Art Museum, Washington, D.C.)

At the age of 46, Henry married 26-year-old Julia Clarkson Dupre in April 1844 in Charleston. Like Henry, Julia was of French heritage. She was educated at the Emma Willard School in Troy, N.Y. and studied art in Paris until a bank failure in 1838 forced her return to South Carolina. She helped her mother Juliana Schmidt Dupre open the Charleston Female Seminary in 1841 and taught there for several years. Henry taught there as well when he had the time.

Henry and Julia only had one son, Henry Dupre Bounetheau, sometime in 1845.

Both Henry and Julia were talented in the art of miniature painting, which involved loading a tiny paintbrush with color and dabbing it onto the surface of the ivory. Although Henry’s talent brought him several commissions from society clients, he never gave up his day job as an accountant. He was also a talented flute player.

Henry Bounetheau painted this miniature of his wife, Julia, in 1850. (Photo source: Smithsonian American Art Museum, Washington, D.C.)

The Bounetheaus owned a home in Georgetown, Fla. on the St. John’s River. It was there Julia died of a heart ailment at the age of 50 on Oct. 28, 1869. It’s likely that son, Henry, was living there as well because he was working as a clerk in nearby Jacksonville, Fla. before his marriage to Emma Hudnall in 1884. Julia was buried at the Old City Cemetery in Jacksonville, Fla.

Henry B. Bounetheau died in Charleston on Jan. 31, 1877 of “old age” and was buried in the French Huguenot churchyard. Son Henry D. Bounetheau died on May 3 during the Great Fire of 1901 in Jacksonville, Fla. He was buried beside his mother at Old City Cemetery but a few weeks later, both mother and son were moved to Evergreen Cemetery in Jacksonville. Henry had in his possession many of his parents’ miniatures that were destroyed in the fire.

Charleston Pioneers

One area Frank pointed out was a plain bricked area with a marker that I might not have even noticed. The Manigault vault, marked with a simple stone, is all that is left of a pioneering family of Charleston.

Seeing a date this old on a burial vault is not common for me.

The Manigault family vault used to have steps that led down to the burial chamber.

Born in 1704 in Charleston, Gabriel Manigault was a prosperous landowner and merchant. With slave labor, he turned his land purchases into successful rice and indigo plantations. Along with his increasing fortunes, he was active in local politics and represented Charleston in the provincial House of Commons. He married his wife, Ann Ashby, and they had a son, Peter.

A wealthy planter and merchant, Gabriel Manigault retired at 50 and became active in Charleston politics.

Peter Manigault died at the age of 42 in 1773. His wife, Elizabeth, had died earlier that year. Gabriel died in June 1781 and Ann died in April 1782. All of them are buried in the Manigault family vault, along with some of Peter’s adult children. Initially, there were steps leading down into the burial chamber but at some point they were bricked over.

Grinning Skulls and Libraries

You can’t go very far in a Charleston cemetery without encountering a grinning skull and crossbones. Or a winged skull.  These are common in New England cemeteries. Before you assume it’s a pirate grave, I can confidently say that most of them were carved on stones for land-loving folk. As I’ve explained in past posts, there’s a reason behind such a gruesome image became a popular gravestone decoration.

Can you see the seams in the skull on the top of John Neufville’s grave marker?

The short answer it that the Puritans of the late 17th and early 18th centuries thought you needed to make the most of your short time on earth to ensure where you wound up after you died. This carried over into sending a message to the loved ones that you left behind when they came to visit your grave. The skull and crossbones were to remind them that living a good life would result in ending up in Heaven or in agony in hell if they didn’t.

John Neufville, born in 1670 in St. Kitts, died in 1749 about five years before his wife, Elizabeth.

According to Frank’s book, John was a native of St. Kitts in the Caribbean. Born in 1679, Neufville came to Charleston by way of New York. St. Kitts became home to the first Caribbean British and French colonies in the mid-1620s and was a member of the British West Indies until gaining independence on September 19, 1983.

Established in 1748, the Charleston Library Society paved the way for the founding of the College of Charleston in 1770 and provided the core collection of natural history artifacts for the founding of the Charleston Museum in 1773.

John’s wife, Elizabeth, was considerably younger than him and their son, John Jr., was born when John Sr. was 60. Both men were Charleston merchants. John Jr. was instrumental in helping to establish the Charleston Library Society, which Frank and I visited later that day.

John died in 1749 at the age of 79 while Elizabeth died in 1754 at the age of 54. Son John Jr. died in 1804 and is buried with his wife, also named Elizabeth, at the FH churchyard near his parents.

I have much more to share from the French Huguenot churchyard. I’ll be back with Part II soon.

Bulldogs and Burials: Walking Through Athens, Ga.’s Oconee Hill Cemetery, Part IV

This is my last installment on Athens, Ga.’s Oconee Hill Cemetery. I’ve got some bits and pieces for you that I didn’t think you’d want to miss. My first item involves an initial mystery. One of my photos was of a time-worn angel monument that, as you can see, could use a good cleaning.

The Waddel angel could use some TLC.

The only information on the monument I initially had was the following inscription:

Entered into rest.
July 21, 1892.
Only child of Wm. H. & Mary B. Waddel
Aged 21 Years

I went searching for Annie in the Athens newspapers but came up empty. Then I found a book called “The History of the Hulls” (she’s related to them) that mentioned she was married in 1891. That unlocked more of the story.

Annie was born in 1871 to William Henry Waddell (her last name is spelled Waddel on her monument) and Mary Brumby Pew Waddel. The daughter of Col. Arnoldus Vanderhorst Brumby, founder of the Georgia Military Academy in 1850, Mary came from a distinguished family. Her first husband, a Captain Pew, died. The details of that union are few.

Moses Waddell, fifth president of the University of Georgia, lived in this Federal-style house after it was built in 1820. Known as the Church-Waddell-Brumby House, it is thought to be the oldest surviving residence in Athens and houses the Athens Welcome Center. (Photo Source:

Mary married again to William H. Waddell in 1870, a professor teaching Latin and Greek at the University of Georgia. William’s grandfather was Moses Waddell, fifth president of the University (1819-1829) and a respected educator/author. Interestingly, the 1870 Census lists Mary’s financial worth at $10,000 and her husband’s at $4,000.

“A Kind Husband, Father, Friend and Tutor”

William died on his way home from a trip in Millford, Va. on Sept. 18, 1878. His funeral notice was vague on the details of his demise. Mary and Annie went to live with her parents in Atlanta after William died. In 1883, Mary remarried a third time to Col. Walter Izzard Heyward, her former brother-in-law. He was previously married to her sister, Susannah, who had died on May 5, 1878.

Annie became engaged to Miles Green Dobbins, Jr. of Cartersville, who was connected to the Heywards. They were married on Feb. 4, 1891 at Kenwood, the Heyward home in Cartersville.

An article in the Atlanta Constitution detailed the upcoming wedding of Annie Waddell to Miles G. Dobbins.

Annie died on July 21, 1892 in Cartersville. According to “The History of the Hulls”, she died “with issue”, meaning she had at least one child. Her funeral notice does not mention that or if she died in childbirth. Her monument was placed next to her father William’s grave at Oconee Hill. Why is her married name not on her marker? I don’t know.

It’s intriguing to me that Annie’s married last name is not on her monument.

Miles remained a bachelor for several years, remarrying in January 1905 to Estella Calhoun. She gave birth to a son, John, on Oct. 19, 1905 and died three days later at the age of 30. Little John went to live with with his grandfather and aunt. Miles died in 1930 at the age of 72 and is buried with Estella at Oak Hill Cemetery in Cartersville.  Son John died in 1948 at the age of 42 and is buried in the Calhoun plot at Oak Hill.

Annie’s mother, Mary Brumby Pew Waddell Heyward, died in 1917 at the age of 72. She is buried at Westview Cemetery in Atlanta with her third husband (both are in unmarked graves) and her sister (his first wife) in the plot of her brother, Lieutenant Thomas Brumby.

In the back corner of Oconee Hill is a separate area for the Congregation Children of Israel (CCI’s) cemetery. When Oconee Hill was established in 1855, part of it was set aside for the burials of the Athens Manufacturing Company in 1873. In turn, CCI purchased part of that land and maintains the CCI Cemetery today.

Birth of Athens’ Jewish Community

Athens’ Jewish community was founded by citizens of Filehne in the Posen Area of Prussia, which is present day Wielen, Poland. In 1872, Moses Myers, along with other leading Jewish Athenians, Caspar Morris, David Michael, and Gabriel Jacobs, petitioned the Superior Court of Clarke County for a charter of incorporation for the CCI.

In 1873, the Congregation purchased land at the intersection of Jackson and Hancock Streets. In 1884, the original synagogue opened its doors, and housed CCI for the next 84 years. In 1968, a new building was dedicated on Dudley Drive.

CCI’s cemetery has about 150 burials. I could find little information on the Internet about the people buried there. Near the back corner is the Morris plot, which features this large monument to Norma Marks Morris.

Oddly enough, only Norma’s first name is on her monument.

Born in 1874, Norma Marks was the fourth child of Simon and Pauline Stern Marks. I noted that Simon was 50 years old when he married Pauline, age 23, in 1866 in Athens. Simon, a dry goods merchant, was from Poland and Pauline was German.

Norma married Charles Morris in 1896, a traveling salesman for a clothing store in Athens. They had two children, Rosina and Simon. The 1900 Census indicates they lived with Pauline in those days. Simon Marks had died in 1888.

In Christian cemeteries, lilies often signify the Resurrection but I’m not sure what the meaning would mean to those of the Jewish faith.

According to her death notice in the Athens Banner, Norma died on April 6, 1918 after a two-day illness. Her funeral was held in her childhood home, although both her parents had passed away by that time.

Charles disappears after the 1920 Census, and I cannot find a record of him buried in the CCI Cemetery.

One thing I noticed was this lovely garden bench created by the J.L. Mott Iron Works Co. of New York City, a company established in 1828. It is in very good shape considering how old it probably is. Mott also made fine quality porcelain sinks and bathtubs, some of which ended up in the White House.

Benches like this come up for auction from time to time at a hefty sum.

There are two mausoleums in the very back corner of the cemetery, the Michael mausoleum on the left and the Morris mausoleum directly across from it. Although I took pictures through the glass of the doors of the Morris mausoleum, I could not make out exactly which Morrises are interred within it.

The Morris mausoleum was built in 1917.

The stained glass inside features a menorah.

The stained glass inside the Morris mausoleum is in good condition. I don’t know what the Hebrew translates into.

Behind the bench is the Michael family mausoleum. I was able to make out the names of Simon Michael (1859-1932), his wife, Anna Phillips Michael (1863-1945), and their son, Bert Michael (1893-1912). Also inside are Simon and Anna’s son, Max, and his daughter, Cecilia. I cannot make out whom the sixth person is, it may be Max’s wife.

The Michael family was a key player in the dry goods business in Athens at the turn of the century.

Born in 1859 in Chicago, Simon Michael moved with his family to Jefferson, Ga. In 1882, he and his brother, Moses, opened Michael Brothers Wholesale and Retail Dry Goods Store. That same year, on March 14, he married Anna Phillips.

Over the years, they expanded several times. In 1893, they operated out of a five-story building, the tallest in Athens at the time. Their slogan was “Michael Brothers: Since 1882, the Store Good Goods Made Popular.”

By 1910, Simon and Anna had four sons: Morris, Max, Ernest, and Bert. Max was an attorney while both Morris, Ernest, and Bert helped Simon at the store.

A Son’s Sad End

Youngest son Bert completed his studies at the University of Georgia in June 1912 at the age of 18, but due to an appendicitis, could not attend his graduation. He was recovering at St. Joseph’s Infirmary (now Emory St. Joseph’s Hospital) in Atlanta when he died on July 28, 1912. Simon and Anna, who had been in Germany visiting family when he was transferred to Atlanta, made it home in time to be at his side when he died.

Fortunately, I was able to get a decent picture of the Michael mausoleum’s stained glass.

Because there is a date of MCMXII above the door of the Michael mausoleum, I believe young Bert was the first to be interred within it.

Gone in 39 Minutes

In 1921, a fire began in the Max Joseph building at the corner of Clayton and Wall Streets. Also present in that building was automobile retailer Denny Motor Company, which had drums of petroleum stored on the first floor. Within 45 minutes, the fire had consumed the Joseph building and both Michael Bros. establishments.

Moses and Simon noted that, “The commercial monument which we have striven through 39 years to erect was licked up in almost 39 minutes by the cruel tongue of fire and flame.”

Built in 1922 after a fire, the 55,000 square-foot Michael Bros. store was designed by Atlanta architect Neel Reid. It is now owned by Nelson Properties, and houses office space and restaurants. (Photo source:

The Michael brothers vowed to rebuild bigger and better. Opening in 1922, the new building was 55,000 square feet and designed by noted Atlanta architect Neel Reid. It was Athens’ first building with overhead sprinklers.

Many employees of the Michael Bros. store stayed with the organization for years. They also understood their customers’ hardships during the Great Depression, allowing them to add to their unpaid account balances. Both brothers were active in civic organizations and charitable groups.

A Tragic History Repeats Itself

The death of Simon Michael was sadly reminiscent of his son Bert’s in 1912.

In March 1932, Simon entered the hospital with appendicitis. The surgery was thought to be a success. On March 14, the day of his 50th wedding anniversary to Anna, he was recovering in the hospital. According to his death notice in the Atlanta Constitution, he had received many well-wishing visitors that day. It reads, “Friends believed the excitement of the day hastened his death.” His death certificate notes that heart disease was a contributing factor.

Moses continued running the store until his wife Emma’s death in February 1944. He died in November 1944. They are interred in a separate double mausoleum in the CCI Cemetery. Anna died in 1945. Son Max’s daughter, Cecelia, died at the age of 5 in 1917 and was placed in the mausoleum then. Max died in 1949 and joined his daughter, parents, and brother Bert inside.

Final Thoughts

Leaving Oconee Hill Cemetery, I thought about the years I spent in Athens and how much I grew and changed as a person. Most of what I learned was outside the classroom, I admit, in my interaction with the people I encountered. Some of it was downright painful, but most of it was wonderful. I met and became friends with a small handful of people I still consider dear friends today. It was the gateway to my life as a grownup.

I wish I had visited Oconee Hill back then, but I’m glad my family indulged my wish on a sunny Mother’s Day to discover a precious gem in a familiar setting. Maybe when football season is over, I can go back and visit the graves I missed.